{"id":2919,"date":"2016-01-26T14:30:00","date_gmt":"2016-01-26T21:30:00","guid":{"rendered":"https:\/\/ww3.ambientskies.com\/davinci-resolve-is-a-game-changer-for-the-post-production-workflow\/"},"modified":"2023-02-24T12:51:52","modified_gmt":"2023-02-24T19:51:52","slug":"davinci-resolve-is-a-game-changer-for-the-post-production-workflow","status":"publish","type":"post","link":"https:\/\/ambientskies.com\/blog\/filmmaking\/davinci-resolve-is-a-game-changer-for-the-post-production-workflow\/","title":{"rendered":"Davinci Resolve is a game changer for the Post Production workflow"},"content":{"rendered":"

The latest installation in the DaVinci Resolve software package has turned a platform that provided excellent color correction into an all-in-one editing dashboard. <\/p>\n

With Resolve 12, film editors can edit, color correct, grade and finalize, all within the same program. <\/p>\n

Before this latest release, you would have to correct colors, save the new file, load it into a third-party platform, make necessary edits, and go back to Resolve to finalize. Resolve 12 changes all of that.<\/p>\n

Today I want to cover the pros of the DaVinci Resolve 12 and talk about why it continues to revolutionize what we do in the edit bay. <\/p>\n

Let’s go. <\/p>\n

<\/p>\n

How the DaVinci Resolve 12 Closed the Editing Gap<\/strong><\/h2>\n

The DaVinci Resolve combines a range of great features with a newly designed and highly intuitive user interface. Resolve 12 has created an end-to-end post-production solution. The dashboard design puts the editor in control, allowing you to easily reach the features you use most.<\/p>\n

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